The Last Days of My Childhood

    I've always loved waltz dances. They can be happy, sad, or serious, and that's why I included some waltzes on this album because I enjoy sad dances. I really like them. I worked on several études for years to get the sound I wanted for "Reza's Waltz," and I finally found it.

   The concept of "liberation" tracks, which is bifurcated into two distinct sections, symbolizes emancipation and deliverance from all worldly tribulations. Within this concept, the string instruments serve as a metaphor for sufferings and afflictions yearning for liberation, while the choir fervently implores for freedom. The second section incorporates familiar sonic elements, drawing upon Iranian and Middle Eastern instruments, which impart a mystical quality to the composition.

   For me, the piece "Mothers of Homeland" evokes the cries of all mothers, especially in my country, because I feel that they have endured a lot of pain throughout history. The piece "Lullaby" is my interpretation of the lullabies of my mother and the mothers of my homeland.

      I like repetition because it immerses a person deeply into themselves and makes them think. However, what a person thinks about depends on the emotional context that repetition provides. The string repetitions were the best for me on this album. The reason these pieces are placed next to more intimate pieces is because of my growth from childhood to adulthood.

I wrote this album to express my personal journey trom childhood to adulthood. The music is a blend of childlike and logical sounds, both of which feel very close to me. I used the piano and accordion to add a personal touch, and the string instruments helped me incorporate a more rational approach. It took me four years to find a way to express my views in a way that felt right, and this album is the result.

Reza Azadipour June,2024